IMMERSIVE EXPERIENCES
L'Imagerie Films produces content for giant LED walls, multi-screen setups and 360° projection. Up to 20K, on ratios that are anything but standard, for installations that exist for one event only. An opening film on an LED wall, a synchronised composition across several surfaces, a 360° projection: each time, a bespoke format and a date that does not move.
.avif)
FORMAT BEFORE FILM
Content for a giant screen is not conceived like a film. The viewer never sees the whole image, only the portion they scan from where they stand. A frame that works on a monitor empties out at twelve metres wide; a camera move that reads in 16:9 becomes illegible on a stretched ratio.
So we start from the installation: actual dimensions, viewing distance, where the audience stands, the seams between panels. The storyboard is built for that vantage point, not adapted to it afterwards. That is what separates content designed for the screen from a film cropped at the last minute.
UP TO 20K, MULTI-SCREEN AND 360°
Extreme resolutions break conventional production chains: file sizes, render times, output formats specific to each technical supplier. We built a pipeline for that, from the shoot through to delivery. Multi-screen adds synchronisation across surfaces that share neither ratio nor definition. 360° means composing an image with no edge and no centre, where every viewer sees something different depending on where they stand. These constraints are handled upstream, in 3D and motion design then in post-production, not the night before the edit.
A date that does not move
An event does not slip. The opening date is the one constraint that cannot be negotiated, and the whole retro-planning follows from it: validation windows, render margins, integration tests on the actual installation before the day. We work with your technical supplier on delivery formats from the start, so a compliance problem is not discovered forty-eight hours out. Whether the project runs from our Annecy studio or from Geneva, one production manager holds the whole thing.
.avif)
FAQ
(03)
WHAT CLIENTS ASK
ABOUT GIANT SCREENS
01.
Why can't you just crop a normal film to fit the screen?
Because the viewer never sees the whole image, only the portion they scan from where they stand. A frame that works on a monitor empties out at twelve metres wide, so the storyboard has to be built for the installation from the start, not adapted afterwards.
02.
Do you need the technical specs of the LED wall before starting?
Yes: actual dimensions, viewing distance, where the audience stands, the seams between panels. We work with your technical supplier on delivery formats from the start, not the night before the edit.
03.
How much does a film cost?
Budgets start around €5,000–10,000 for smaller projects and can reach €200,000–400,000 for complex productions. It all depends on scope, ambition and the level of expertise required. We're always fully transparent on our quotes and we adapt to your priorities.
04.
Can you handle 360° projection?
Yes. 360° means composing an image with no edge and no centre, where every viewer sees something different depending on where they stand. It's handled upstream, in 3D and motion design.
05.
What if the opening date can't move?
We build the whole retro-planning around that: validation windows, render margins, and integration tests on the actual installation before the day.
Nous ne nous contentons pas de « prendre des commandes ». Du brief au script, des validations au montage final, vous faites partie de l'aventure. Nous établissons un budget détaillé, un rétroplanning avec des étapes clés claires, et nous maintenons un dialogue ouvert à chaque phase. Les meilleurs résultats naissent toujours de la collaboration.
L'IMAGERIE
FILMS
