EXECUTIVE
Shooting in the Alps means altitude, weather windows, and permits that don't wait for you. Shooting in Geneva, Lausanne or Lyon means none of that, and a completely different set of rules. We work both ways, with the same crew, the same equipment and the same contacts, so you don't have to brief a new team, source new gear, or build a new local network for every location.
.avif)
ONE TEAM, EVERY TERRAIN
Whether it's a peak above 2,000m or a studio floor in the Annecy basin, the same in-house crew and gear travel with the project. We run our own generators, so power isn't a question mark on a site with no grid access. Our LED lighting fleet lets us light almost anywhere, indoors or out, without depending on what a local rental house happens to have in stock that week. And because it's our own equipment park, not a rental agreement, we can react within hours if something breaks or the plan changes on set, instead of waiting for a replacement to be shipped in.
LOGISTICS, HANDLED BEFORE YOU ASK
Filming permits in a national park, insurance for a foreign crew crossing into Switzerland, a backup plan for the weather window on a mountain shoot: this is the part clients don't see, and the part that decides whether a shoot happens on schedule. On set, the whole team runs on our own dedicated radio frequency, so coordination doesn't depend on borrowed kit or a signal shared with three other productions on the mountain. Off set, our network of technicians and our direct contacts at local town halls mean permits get processed in days, not weeks, and location scouting draws on places we already know rather than a cold search.
YOUR PROJECT, OUR MAP
Foreign productions call us because organizing a shoot from abroad, in a region they don't know, is exactly where things go wrong. We've done the Alps enough times to know the terrain, the local contacts, and the shortcuts that keep a budget honest — which town hall answers fast, which technician is free on short notice, which location works when the one you had in mind is already booked. From corporate and institutional films to luxury brand content, the production framework stays the same wherever the camera goes.
.jpg)
.webp)
FAQ
(03)
WHAT CLIENTS ASK
BEFORE WE SHOOT
01.
Can you film in Switzerland if we're not a Swiss production?
Yes. We handle the local logistics ourselves: permits, insurance for foreign crews, and a network of vetted local technicians. A foreign production doesn't need a Swiss entity to shoot here — we cover that layer.
02.
Do you only work on mountain shoots?
No. The same in-house crew and equipment cover both alpine locations above 2,000m and standard shoots in Geneva, Lausanne, Annecy or Lyon.
03.
What happens if the weather changes on a mountain shoot?
We adapt — that's the job. We generally build a backup plan into the schedule, and when things still don't go as planned, we work to find a solution on the spot. Weather on a mountain shoot is never fully predictable; that's just part of it.
04.
How fast can you get a filming permit?
It really depends on the request. There are incompressible timeframes and costs — no amount of experience makes a permit process instant. But because we know who to contact, we make sure it moves as fast as it possibly can.
05.
Do we need to bring our own equipment?
It depends on each production. We have our own equipment and can deploy it very quickly, so in most cases it isn't an issue.
06.
What if something breaks or the plan changes on set?
Adapting is the job, even on short notice. Because it's our own equipment, not a rental agreement, we can react quickly if something breaks. If it's a change of location instead, that's still our responsibility to solve — there are people on the team whose job is exactly that.
L'IMAGERIE
FILMS
